{"id":3003,"date":"2022-07-01T10:28:03","date_gmt":"2022-07-01T14:28:03","guid":{"rendered":"https:\/\/reveel.net\/blog\/?p=3003"},"modified":"2022-07-01T10:28:03","modified_gmt":"2022-07-01T14:28:03","slug":"behind-the-scenes-of-sitting-a-short-film-with-allyson-morgan-louis-ozawa","status":"publish","type":"post","link":"https:\/\/reveel.net\/blog\/behind-the-scenes-of-sitting-a-short-film-with-allyson-morgan-louis-ozawa\/","title":{"rendered":"Short Film: The Babysitting Gig That Turned Out To Be for a Grown Man"},"content":{"rendered":"<p><a href=\"http:\/\/www.allysonm.com\/\" target=\"_blank\" rel=\"noopener\">Allyson Morgan<\/a> is a performer, producer, actress, Columbus, Ohio native, and screenwriter for the dark comedy short film, Sitting. Starring Louis Ozawa Changchien and Allyson Morgan herself, the short film follows a woman whose week goes from bad to worse when her latest babysitting gig turns out to be for a grown man. We have interviewed Allyson to get a look into her creative process for Sitting and what drove her to enter the film industry.<\/p>\n<p><em>The following interview has been edited for clarity and length.<\/em><\/p>\n<p><b>1. How did you come up with the idea for \u201cSitting\u201d and what was the intention behind the story?<\/b><\/p>\n<p><b>Allyson:<\/b> There were a few factors at play. First, my theatre company, <a href=\"http:\/\/www.allysonm.com\/fit-club\" target=\"_blank\" rel=\"noopener\">F*It Club<\/a>, was producing an annual series of short plays around a central theme, and my producing partner Mara Kassin and I decided to do three films at a central location instead \u2013 so all of the films had to utilize the same house. Then, thematically, I wanted to write a story incorporating the idea of memory loss and also a platonic relationship between a man and a woman who help each other without becoming romantically involved.<\/p>\n<p><b>2. Did you always imagine yourself in the role as Bryn?<\/b><\/p>\n<p><b>Allyson:<\/b> No! Although it\u2019s easiest to write dialogue in my own voice, I always imagined someone else might play the role. Mara and Max (the co-director) really encouraged me to take it on, although it was terrifying to be vulnerable in that way.<\/p>\n<div id=\"attachment_3008\" style=\"width: 608px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3008\" class=\"wp-image-3008\" src=\"https:\/\/reveel.net\/blog\/wp-content\/uploads\/2022\/07\/IMG_2585.jpeg\" alt=\"Allyson Morgan and the crew of Sitting on set.\" width=\"598\" height=\"441\" \/><p id=\"caption-attachment-3008\" class=\"wp-caption-text\">Allyson Morgan and the crew of Sitting on set.<\/p><\/div>\n<p><b>3. As someone with experience acting on set and in theater, what are the biggest differences acting in the two different mediums? Do you prefer one over the other?<\/b><\/p>\n<p><b>Allyson:<\/b> The clich\u00e9 of \u201csmaller\u201d is true with film and TV. On a screen, you have to communicate everything with very often just your face, while theatre is a full body endeavor. I think there are pros and cons to both, which is why I enjoy them equally as challenges I continue to learn from.<\/p>\n<p><b>4. How would you describe your upbringing and what led you to the film industry?<\/b><\/p>\n<p><b>Allyson:<\/b> I grew up in Columbus, Ohio doing children\u2019s theatre. Film specifically was always interesting to me, although I didn\u2019t go to film school or have formal film training. I started auditioning for student films when I moved to New York and absorbed everything I could from being on set and making friends with young filmmakers. I\u2019ve always approached figuring something out by just doing it, which is how I made my first film with F*It Club in 2011.<\/p>\n<p><b>5. What was the biggest obstacle to getting \u201cSitting\u201d made?<\/b><\/p>\n<p><b>Allyson:<\/b> Money and time. Always money and time. But we had an excellent, supportive cast and crew that pulled together on every level to pull this off in just two days.<\/p>\n<div id=\"attachment_3009\" style=\"width: 833px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3009\" class=\"wp-image-3009\" src=\"https:\/\/reveel.net\/blog\/wp-content\/uploads\/2022\/07\/SITTING-1.png\" alt=\"Allyson Morgan and Louis Ozawa in Sitting\" width=\"823\" height=\"380\" \/><p id=\"caption-attachment-3009\" class=\"wp-caption-text\">Allyson Morgan and Louis Ozawa in &#8216;Sitting&#8217;<\/p><\/div>\n<p><b>6. Were there any lessons learned from writing, producing, and starring in \u201cSitting\u201d that you have applied to other film projects?<\/b><\/p>\n<p><b>Allyson: <\/b>I haven\u2019t done another project that used all three of those skills at once, but I look forward to trying it again soon. Next time I think I\u2019m going to add directing, as well, because I love a challenge!<\/p>\n<p><b>7. Do you have any advice for aspiring filmmakers?<\/b><\/p>\n<p><b>Allyson:<\/b> I know it\u2019s easy for me to say, but truly, just make the thing. Get your friends together, shoot it on a phone, whatever you need to do to learn, and fail, and do it again better the next time. Once you\u2019re on set, the hardest part is over.<\/p>\n<p><b>8. If you could inspire one change to the film industry, what change would you want to see?<\/b><\/p>\n<p><b>Allyson:<\/b> More diversity in stories and storytellers. Let\u2019s present different worldviews, ideologies, love stories, and perspectives.<\/p>\n<p><strong>Watch <a href=\"https:\/\/reveel.net\/programs\/1299569\/sitting\" target=\"_blank\" rel=\"noopener\">Sitting for free<\/a> on <a href=\"http:\/\/reveel.net?utm_source=blog.negotiators.tv&amp;utm_medium=referral&amp;utm_term=in-article&amp;utm_content=what-is-negotiator&amp;utm_campaign=blog\" target=\"_blank\" rel=\"noopener\" data-wplink-url-error=\"true\">Reveel<\/a>, which is available on iOS devices, Android devices, Macbooks, PCs, Roku, and Fire TV.\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Allyson Morgan is a performer, producer, actress, Columbus, Ohio native, and screenwriter for the dark comedy short film, Sitting. Starring Louis Ozawa Changchien and Allyson Morgan herself, the short film follows a woman whose week goes from bad to worse when her latest babysitting gig turns out to be for a grown man. We have [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":3006,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[171],"tags":[],"class_list":["post-3003","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-behind-the-scenes"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Short Film: The Babysitting Gig That Turned Out To Be for a Grown Man<\/title>\n<meta name=\"description\" content=\"This post takes a look at the behind-the-scenes of the short film Sitting with Allyson Morgan &amp; Louis Ozawa. 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